Writers Unbound

I’d say that pieces of my young life were craptastic enough for a memoir, but probably not craptastic enough for a bestselling memoir. Recently, though, all you need to do to fix that is” embellish” a little. “Embellishing” your published works are all over the news.

• A couple weeks ago I posted about a mother and child who embellished an essay to win Hanna Montana tickets.
• Of course, we all know about the James Frey mess that happened a couple years ago.
• Turns out that Misha Defonseca’s memoir  ”Misha: A Memoire of the Holocaust Years” was totally fabricated. You can read about it here, in an article that the Boston Globe appropriately entitled “Den of Lies.”
• …And today’s news of the fake: Penguin-published author Margaret P. Jones admitted that “Love and Consequences” was pretty much made up.

So, what’s with all the fakery?

First of all, the James Frey debacle should have raised some red flags for other memoir-fabricators. Obviously, that’s not the case.

So why all the fake memoirs? Possible reasons, simply off the top of my head here…

• Memoirs are “in,” fiction is much harder to crack.
• Fiction is not as respectable. ?
• Naive new authors don’t know any better.
• This version is much cooler than what really happened.
•  Mo’ money, mo’ money, mo’ money.

 Sidenote: Parts of the book “A Long Way Gone, Memoirs of a Boy Soldier” have been called into question, however the publisher and author stick by this book and no claim has been made that it is totally fabricated.

Such issues are nothing new. In the 90s, Mayan Rigoberta Menchu was accused of falsifying portions of her autobiography.

So, what’s the deal here?

I was recently blessed to come into contact with Leo Babauta, who runs a very successful blog, Zen Habits. He started up a new writers blog, Write to Done, and allowed me a guest post. I also interviewed him for About Freelance Writing.

In a recent post at Write To Done, Babauta suggests that one copy the style of other freelancers. He advocates reading great copy (stories, whatever) and then making it your own.

I was also able to get a review copy of Christina Katz’s Writer Mama, which I will also cover at About Freelance Writing shortly (I’m on the last chapter). Christina echoes Leo’s suggestion. She advises those who are looking to get into magazine print to break down the articles of your target publications. For example: how many subheads are standard? Does the author use humour or is the copy completely serious? Does the word count seems standardized across issues, features and departments, or is there some give and take? You are then to use your investigation in crafting your submission.

Finally, I’m thrown back to my undergraduate years, when one of my favorite professors lectured on Ben Franklin and assigned his autobiography. It happens that Franklin taught himself to write by carefully dissecting great works, studying their pieces, and then attempting to reconstruct the text as the original author had. Talk about self taught! Sure enough, Franklin’s autobiography is a piece of precise writing that accomplishes its purpose without self-aggrandizement.

Study the masters. Choose a muse and find out what it is that draws you to that muse. Take the pieces that you will from them, and make those pieces into your own work and styling. Now, go write!  

I’ve neglected you, dear non-fiction writers. But have no fear, I’m dedicating today’s Tuesday Tips to YOU.

• Unlike fiction writers, non-fiction authors should query before finishing the entire manuscript. Writer’s Digest says that this is because publishers have very specific niches to fill with non-fiction books.
• Go out of your comfort zone: try fiction. Don’t worry- I say the same thing to fiction writers: try non fiction.
• Here’s a personal tip from a voracious non fiction reader: For goodness sakes get to the point. I’ve noticed that non fiction writers are more likely to make me wade through stuff before finally settling on their point. Please don’t do that to me. I only have so much time in the day.
• Bow to the fact-checker. Or become one yourself. Chances are that you’re an expert (or at least knowledgeable) in your chosen topic. However, you still make mistakes. Trust me, you do. Learn to let go of your work-to a point- and you’ll avoid many issues.
• Your proposal matters even more. Since you are presenting a professional take on a subject in your field, publishers will expect that much more effort and professionalism out of you. I’ve personally seen some really good fiction squeak by despite really bad introductory materials. I doubt it happens nearly as often in non fiction.
• Last, but certainly not least, read Successful Nonfiction by Dan Poynter. I ran across it last weekend and almost read it all in one setting. Not only will it help you get your book into a publishers hands, but parts of it are really enlightening. He includes a lot of little stories and anecdotes about the publishing world that you are sure to find interesting. I did!

There you go, non fiction friends. Best of publishing luck to you! 

I’ve got away from my life goal lately, which is to leave the world a better place than I found it. Some may say I’ve got pretty far away, and I’d have to concur.

The reason (excuse?) for this is that my writing business is booming, and I simply am treading water one day to the next. So, over the past weekend, I began to brainstorm ideas to combine my two worlds, and this is what I’ve come up with:

• Query articles that help the world. Examples would be travel articles that have a humanitarian slant, education-based articles aimed at segments of the population who may need some help in navigating the system, or inspirational articles such as first-generation college grads.
• Copywrite for humanitarian organizations. Everyone needs copy!
• Offer pro bono grant writing once or twice per year to targeted agencies.
• Start a blog to keep your humanitarian goals accounted for.

I’ve done a couple items on this list, and have written others into my 2008 goals.

By the way, as far as grant writing goes, the ladies at Freelance Parent wrote an exceptionally informative series on it last week.

Good luck and feel free to leave YOUR thoughts on writing and the world.

WELCOME BACK and Happy New Year! I am well rested and ready to offer you the best blogging year I’ve got in me. Let’s get to work! Ok, I’ll admit that the “top 5 genres” is subjective, but whether you’re a freelancer, biz-tech writer, blogger, novelist, or poet I’ve got something for you today!

Freelancers: Now is the time to find out the editorial schedule of your targeted magazine for the following year! Editorial calendars basically tell you what topics the magazine has planned for the year. Many will also indicate the amount of lead time needed for each issue. You can then tailor your pitch to fit their needs. So, how exactly do you find the editorial calendar? 

The easiest way is to subscribe to a service such as CyberAlert or MediaCalendars. Designed and aimed at PR professionals, these subscription-based services offer a searchable database of thousands of publication’s editorial calendars. Of course, I said it’s the easiestway- it’s not necessarily the cheapest. For example, a subscription for CyberAlert costs $499.

Don’t want to invest $500? I don’t blame you. Another way to find editorial calendars is the old fashioned way- search their website. If you can’t find the info on the writers page, be sure to check the advertising page.

Biztech Writers: Tired of trolling the same old places for jobs? Yes, it sure is convenient, but how about creating your own list of weekly job board bookmarks to check? Advantages include:

• Job searching on your own schedule
• That whole “early bird gets the worm” adage means that your resume and email are in front of the hiring manager’s eyes before he is buried under an avalanche of queries.
• Keeping your bookmarks up to date means that you’ll build a series of multiple leads that are tailored to your preferred job boards. 

Ready to go? Start building your list by checking out my list of 20 Links to Find Your Next Job. (Full disclosure: this link is to my guide site at About.com.)

Continue building your list by bookmarking every job board you happen upon. Soon you’ll have a huge list (like me! 85 and counting!) 

Poets: Do I ever have a great resource for you! Check out this listing of over 25 poetry contests with deadlines coming up soon. (Hurry, some require submission as soon as January 15- how’s that for motivation?)

Novelists: I’d never wish writer’s block on anyone- the frustration level is outright horrific. However, if you suffer from this infliction, there’s a multitude of resources out there. Here’s one of my faves.

Bloggers: How do you get great blogging jobs? Have a great blog! Aren’t bloggers lucky in that we don’t have the chicken and the egg issue that freelancers have? (How do I get clips, no one will hire me without clips!) Just about any literate individual with an internet connection can start a blog.

Now, that doesn’t mean it will be great, or that it will get traffic. Luckily, I can help you with one of those. Submitting your blog to directories is one way to increase the flow. Here’s a couple to try out:

• RSSFeedSubmission.com keeps a huge list of directories.
• Search Engine Watch offers these step by step tips on blog submission.
• Give Best Web Directories a try.

Thanks for reading!

writing tips, writing resources, freelance, poets, poetry, blogs, novels, business writer

Last Friday, we began a series on finding markets for your writing, and are focusing first on articles/magazines and perhaps some non-fiction essay markets, which can be found in similar ways.

We started at the beginning, sort of conquering “the chicken or the egg” riddle and found a decent mix of writers here and throughout the net who tend to oscillate between beginning with the targeted market or beginning with the piece.

Today, we’re going to begin finding a market for that (hypothetical) piece that you’ve got burning a hole in your hot little hand…er…hard drive….

Enter: The Resource of All Resources. The Writers Market.

For those new to the writing and publishing world, the Writers Market is a huge print resource listing a downright feast of magazines and trade publications. Each entry also provides hints and tips for each entry regarding how to approach with an idea, who to direct pitches to, what to avoid, and how to get the editor’s attention. Honestly, as a resource, it’s one of the best out there.

Writers Market is also made of an online component- a subscription-based service that basically provides the same thing, but also adds in newer listings, updates, and software that helps you track your submissions. 

Veterans, don’t fret! I know your Writer’s Market is thumbed through and flagged up! Tomorrow, we’ll continue our series on finding markets, and perhaps you can jump in pass along some of your favorite little gems!  

writers market

In a past post, one reader said they’d like to see more information on finding markets for your writing.

Today, I’m starting a blog series on selling to the consumer and trade magazine markets.

I was fortunate to intern under a magazine with a decent circulation in college, and found my editor/supervisor to be a wealth of knowledge. I also write and edit for a local magazine, and although the publisher himself actively seeks out our writers, I have a sense of what he likes to see from them.

However, unfortunately (or fortunately I guess), I haven’t needed to go through the process of querying very much, as I’ve found these contacts to be enough- for now ;) So I did some digging for you, dear readers, so that you can benefit from those actually in the trenches of querying. I think that viewpoint is equally as important as the editor’s viewpoint for those just beginning the query process.

The Beginning 

My first and foremost question was the very beginning of the process. Do you begin with the idea, or begin with the audience?

 Of the few times that I did query, waaay back, I was..ahem…pushed to it by a professor who particularly liked an article. So, I had an article in hand, and had to match it to a publication.

However, I figured this may not always be the case, and did some research and poking. Sure enough, there are writers who are inspired by a particular magazine or type of magazine, and may write a wholly targeted article to/at that magazine.

Honestly, I think that either approach has the potential to work, as long as the end product is a polished article and a polished query.

So, let’s begin at the beginning. What approach do you take in marketing to magazines? Do you have an article in hand? Or do you simply have a targeted publication? Or, perhaps you’re somewhere in between, as one of the community members I polled said- having more of a rough idea of an article that is then pushed, pulled and mashed to the magazine’s specifications?

magazine writing, magazine markets, getting published

I spent a massive portion of last week running the Scholastic Book Fair at my child’s school. Overall I think I spent upwards of 30 hours between prep, marketing, set up, working at it, and tearing it down.

So, on top of that, I figured I’d give Scholastic a little extra boost (as if the sweat of my labor wasn’t enough) and feature them in a market profile:

Scholastic Inc.

 Imprints/Divisions: Scholastic Press, Scholastic Library Publishing, Grolier, Children’s Press, Franklin Watts, Grolier Online.

Accepting:  Agented queries on children’s (up to middle grades) fiction and non fiction. (Also accepting non-agented queries on professional books only).

Offers: Variable advance, royalties on retail price.

Not currently interested in: fairy tales, retellings, board books or series fictions.

Best of luck! 

(Oh, and  by the way, my weekend wasn’t ALL work. I did get to see Love in the Time of Cholera, the movie based on Gaby Garcia Marquez’s novel. I loved it! Two thumbs up!)

scholastic, gabriel garcia marquez, love in the time of cholera

Publisher’s Weekly reported that Harper Lee will be receiving the Presidential Medal of Honor on Monday for her literary contribution To Kill a Mockingbird.

NaNoWriMo is definitely well under way. Their website is backed up like crazy The forums are also hopping.

Hollywood Writers Strike latest is available at WritersWrite.

NPR interviews a writer who writes about a ghostwriter who writes about a man who may or may not be Tony Blair. Huh?

JK Rowling sues a small Michigan publisher over intellectual property rights. She also finished her first book after the Harry series. What a busy week!

You can now read Gone With the Wind from Rhett’s perspective.

MySpace gets into the book business.

Slate Magazine is having a special fiction week for our reading pleasure.

After finishing the book ‘Reading Lolita in Tehran,’ I remarked to a friend who’s an English professor that writers working in English as a second language are often more eloquent than those of us who speak it as a primary language. Azar Nafisi managed to write long sentences uncharacteristic of American writers, with layers and layers of meaning. It’s a beautiful book.

I felt the same way after reading Ishmael Beah’s ‘A Long Way Gone.’ Beah brings the oral history of his native Sierra Leone to the forefront. Starbucks Coffee Company helped bring this book to the marketplace. I have to say Starbucks really supports authors and literacy here in my hometown as well. I’ve done quite a few author events at different locations here. And even if you’re not a best-selling author, staffers treat you exceedingly well. The company donated $2 from sales of each copy of Beah’s book to support UNICEF programs for children affected by armed conflict.

Beah’s story for me is a page turner. It’s hard to imagine a young boy being converted into a child soldier, being fed drugs to keep him awake and aggressive, and losing his whole immediate family in a bloody war.

There’s a passage towards the end of the book—I’ve read and re-read it. I think it’s a well-nigh perfect piece of nonfiction writing. I learned a lot simply by reading and studying it. Beah is addressing the UN Economic and Social Council chamber about his experiences in a war-torn country:

“I am from Sierra Leone, and the problem that is affecting us children is the war that forces us to run away from our homes, lose our families, and aimlessly roam the forests. As a result, we get involved in the conflict as soldiers, carriers of loads, and in many other difficult tasks. All this is because of starvation, the loss of our families, and the need to feel safe and be part of something when all else has broken down. I joined the army really because of the loss of my family and starvation. I wanted to avenge the deaths of my family. I also had to get some food to survive, and the only way to do that was to be part of the army. It was not easy being a soldier, but we just had to do it. I have been rehabilitated now, so don’t be afraid of me. I am not a soldier anymore; I am a child. We are all brothers and sisters. What I have learned from my experiences is that revenge is not good. I joined the army to avenge the deaths of my family and to survive, but I’ve come to learn that if I am going to take revenge, in that process I will kill another person whose family will want revenge; then revenge and revenge and revenge will never come to an end…”

Beah wrote his memoir as an adult, but the syntax and tone in this passage are those of a child. There is so much in this single passage, especially in the genuine feeling back-lighting his words, “…don’t be afraid of me.”

English might not be Beah’s primary language, but he’s certainly mastered it well enough to move a reader, to shape his words as a revelation of universal truths.

Word Press, Technorati, Tags, Child Soldier, Beah, book, memoir, armed conflict, Sierra Leone, Starbucks, UNICEF, Civil War